In 1983, during the production of John Cassavetes’s Love Streams, journalist Michael Ventura was hired by Cannon Films executive Menahem Golan to make a promotional documentary about the company’s first Cassavetes picture. The result was the sixty-minute “I’m Almost Not Crazy . . .”—John Cassavetes: The Man and His Work, which affords the viewer a rare, intimate glimpse into the great filmmaker’s process. In this excerpt, Cassavetes directs a climactic scene set during a rainstorm, contends with the film’s menagerie of animal performers, and then talks about the importance on a movie set of never knowing what the next day will bring.
Donald Richie Uncovers the Traces of a Lost Japan
In collaboration with director Lucille Carra, the renowned writer brought his impressionistic travelogue The Inland Sea—an unusual choice for a film adaptation—to the big screen.
A Palette That Sizzles On-Screen
Filmmaker Darnell Martin and writer Nelson George discuss how vividly Do the Right Thing captures the heat of a Brooklyn summer and the diverse skin tones of its cast of color.
A Genius of French Cinema Delivers a Career-Defining Performance
Raimu is at his subtle best in one of the most moving scenes in The Baker’s Wife, a moment in which the actor channels the collective despair of France’s working class.