From sweeping epics to more intimate, luminous films, this English filmmaker’s pictures were driven by his deep interest in complex characters, his brilliant way with actors, and his classic sense of storytelling.

Geoffrey Macnab writes on film for the Independent, Sight & Sound, the Guardian, and Screen International. He is the author of The Making of “Taxi Driver,” Key Moments in Cinema, Searching for Stars: Stardom and Screen Acting in British Cinema,...

Japan Cuts 2026

The Daily

Jul 7, 2026 New York’s Japan Society throws a spotlight on Suzu Hirose and Hirokazu Kore-eda.

Jul 2, 2026 This week’s roundup ranges from sad goodbyes to a silent comedy, from Hitchcock to Barker, and from video art to a cult TV series.

Jun 30, 2026 The distinction between social and political cinema is not always clear. The former category, which focuses on realistic portrayals of the everyday lives and struggles of the working class, generally includes the films of Italian neorealism and British social realism,...

Jun 24, 2026 Newly restored, the garishly colorful mountain movie will screen in New York with three more Maddin features.

June Books

The Daily

Jun 18, 2026 Martin Scorsese, Agnès Varda, Lars von Trier, and Katharine Hepburn are just a few of the names you might be adding to your summer reading list.

Jun 11, 2026 An adaptation of Night and Day follows two new reimaginings of Mrs. Dalloway.

Shifting POVs

The Daily

Jun 5, 2026 We’re wrapping the week with conversations with Lilly Wachowski, Shunji Iwai, and Tsui Hark as well as essays on Ozu and Ghatak.

Jun 5, 2026 Despite what is often assumed about the history of trans representation in cinema, it is not a simple story of marginalization and stigmatization. In their 2024 book Corpses, Fools, and Monsters: The History and Future of Transness in Cinema, critics...

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