The Criterion Collection
Essays
May 27, 2014 — Howard Hawks was both a skillful Hollywood craftsman and a deeply personal artist, and this western of uncommon wit and grandeur is among his greatest and quirkiest films.
The Daily
Feb 17, 2023 — This week: Mike Leigh in the 1980s, a trip to Ghibli Park, and Apichatpong Weerasethakul on virtual reality.
Apr 15, 2009 — Artist Jaime Hernandez’s diabolically clever illustrations for our release of Divorce Italian Style (now available as a signed art print at the Criterion store) made for one of our most popular DVD covers. And this month, Hernandez has sent us...
Essays
Jan 29, 2026 — Jonathan Glazer’s enigmatic second feature explores the terrors of being desperate for love—and the vulnerability, loneliness, and difficulty in understanding other people that might drive this state.
The Daily
Dec 6, 2021 — It was a good weekend for Drive My Car, Lady Gaga, and Aleem Khan’s debut feature.
The Daily
Oct 23, 2020 — A new Senses of Cinema, free access to the NYRB archive, and the return of drive-in theaters are among this week’s highlights.
The actor and star of Crossing Delancey reminisces about the first film her family watched together at the drive-in, praises the depth of Liv Ullmann’s performance in Cries and Whispers, and shares her intimate connections to Blue Velvet and Days...
The award-winning actor, best known for Todd Haynes’s May December, champions the twisted pleasure of Memories of Murder, selects favorites featuring his costar Julianne Moore, and talks about the subtle beauty of films like Drive My Car and After Life.
The writing and directing partners behind the new show A Murder at the End of the World talk about the influence of Alan J. Pakula, share their deep connection to The Double Life of Véronique and After Life, and praise...
The director of Drive expresses his adoration of Andrei Tarkovsky, calls Quadrophenia the epitome of rock and roll, and remembers asking Elia Kazan for filmmaking advice.