Film

Apr 21, 2014 — A real-life prison uprising inspired this two-fisted tale directed by Don Siegel, who would go on to make many more films about men in extreme situations.

Apr 18, 2014 — The following interview, conducted by Stig Björkman, originally appeared in Björkman’s 1999 book Trier on von Trier.

Apr 16, 2014 — Breaking the Waves is the kind of film that elicits strong emotional responses. And as its director Lars von Trier, editor Anders Refn, and location scout Anthony Dod Mantle discuss in this excerpt from our new edition’s scene-specific audio commentary,...

Apr 14, 2014 — Lars von Trier brought his brand of provocation to his widest audience yet with this inquiry into faith and human goodness.

Apr 11, 2014 — Did You See This?• Olivia de Havilland on Mickey Rooney—one Hollywood legend remembers another. • Neal Gabler on a truly inspiring Hollywood honcho • A new retrospective expands the horizons of documentary. • Incredible behind-the-scenes photos from 2001 • Films...

Apr 9, 2014 — As Emily Watson told us in an interview for our release of Breaking the Waves, which comes out next week, she had “hardly been in front of a camera ever before” when she shot Lars von Trier’s devastasting and explicit...

Apr 8, 2014 — In telling the story of the young outcast Antoine Doinel, François Truffaut was moving both backward and forward in time—recalling his own experience while forging a filmic language that would grow more sophisticated throughout the 1960s.

Apr 8, 2014 — Jean-Pierre Léaud defines the word precocious in this charming 16 mm footage of the confident teenager’s audition for François Truffaut’s The 400 Blows. As we know, the rest is history. You can see more from Léaud’s audition (including some improvised...

Mar 30, 2014 — 1. In 1964, Ingmar Bergman wrote a script for a film titled The Cannibals. It was to star Bibi Andersson, and included a small part for the up-and-coming Norwegian actress Liv Ullmann, but it was ultimately tabled when Bergman became very ill...

Mar 28, 2014 — By the time he made The Freshman in 1925, Harold Lloyd was already a superstar. His comedies, which combined jaw-dropping derring-do with loveable characters, were routinely among their years’ top box-office attractions. When Lloyd announced he was working on a...