The Criterion Collection
May 29, 2015 — The New York–born–and–raised directors Josh and Benny Safdie’s films have earned them awards from around the world, including FIPRESCI prizes and Independent Spirit and Gotham awards. Their feature films include The Pleasure of Being Robbed (2008), Daddy Longlegs (2009), Lenny...
May 29, 2015 — French filmmaker Olivier Assayas has directed fifteen features, including Cold Water, Irma Vep, Demonlover, Summer Hours, Carlos, and Clouds of Sils Maria.Photo by Grant Delin
May 29, 2015 — A shocking chapter of Soviet Czechoslovakian history is dramatized in Costa-Gavras’s controversial follow-up to Z.
Sneak Peeks
May 28, 2015 — We sat down with the eminent German cinema scholar Eric Rentschler for a new interview about The Merchant of Four Seasons, Rainer Werner Fassbinder’s first Douglas Sirk–inspired film. In this excerpt, Rentschler describes the major turning point the movie represented...
May 27, 2015 — Costa-Gavras’s political drama sheds disturbing light on the violent methods used by governments to maintain order.
Sneak Peeks
May 27, 2015 — Imagine being plucked from obscurity at age nineteen to star alongside Charlie Chaplin. That’s what happened to London stage actor Claire Bloom in 1951, when she was courted for the female leading role in Chaplin’s Limelight. We recently interviewed the...
Sneak Peeks
May 27, 2015 — You may not know his name, but Raoul Coutard is a crucial figure in modern cinema. A war photographer turned cinematographer, he was the camera man of choice for many directors of the French New Wave, shooting an astonishing array...
Short Takes
May 26, 2015 — We were saddened to learn of the passing yesterday of Mary Ellen Mark, a great, world-renowned American photographer and a wonderful friend to Criterion. In honor of her extraordinary career, we thought we‘d share an excerpt from a recent interview...
Sneak Peeks
May 25, 2015 — Those are our three reasons. What are yours?
Features
May 22, 2015 — It is one of my most strongly held critical beliefs that you should not write about films you don’t like. First, it is bad for the soul to exult in pointing out the deficiencies of the film in question. Second,...