You may not know his name, but Raoul Coutard is a crucial figure in modern cinema. A war photographer turned cinematographer, he was the camera man of choice for many directors of the French New Wave, shooting an astonishing array of classics from that period, including Breathless, Shoot the Piano Player, Lola, Jules and Jim, Vivre sa vie, Pierrot le fou, and many more. He also shot two great political dramas for Costa-Gavras, Z and The Confession, the latter of which is available this week for the first time on Blu-ray or DVD in the United States. When we interviewed Coutard in 2009 for our release of Z, he also talked a bit about his work on The Confession.
A Hidden Figure of the Czechoslovak New Wave Takes the Spotlight
In this excerpt from an interview on the edition of Diamonds of the Night, film programmer Irena Kovarova talks about the work of one of director Jan Němec’s key collaborators, Ester Krumbachová.
Robert Zemeckis Looks Back on His Debut-Film Jitters
In a new conversation with collaborators Bob Gale and Steven Spielberg, the director of I Wanna Hold Your Hand talks about the terror of being a first-time feature director.
How Carlos Reygadas Plans for the Unexpected
Storyboards have been an important part of the Mexican filmmaker’s process from the beginning of his career. In this interview, he talks about the freedom that meticulous pre-planning allows him on-set.