You may not know his name, but Raoul Coutard is a crucial figure in modern cinema. A war photographer turned cinematographer, he was the camera man of choice for many directors of the French New Wave, shooting an astonishing array of classics from that period, including Breathless, Shoot the Piano Player, Lola, Jules and Jim, Vivre sa vie, Pierrot le fou, and many more. He also shot two great political dramas for Costa-Gavras, Z and The Confession, the latter of which is available this week for the first time on Blu-ray or DVD in the United States. When we interviewed Coutard in 2009 for our release of Z, he also talked a bit about his work on The Confession.
Why Swing Time Is the Greatest of All Dance Films
In this excerpt from an interview on our new edition of the Astaire-Rogers classic, dance critic Brian Seibert explains how beautifully and cleverly the film integrates dance into the structure of a romantic-comedy plot.
A Moody Meditation from the Set of Blue Velvet
In a rarely seen documentary about David Lynch’s 1986 masterpiece, the director and his star, Isabella Rossellini, give their candid impressions about the creative journey they’ve embarked on together.