May 28, 2015 We sat down with the eminent German cinema scholar Eric Rentschler for a new interview about The Merchant of Four Seasons, Rainer Werner Fassbinder’s first Douglas Sirk–inspired film. In this excerpt, Rentschler describes the major turning point the movie represented...

May 27, 2015 Costa-Gavras’s political drama sheds disturbing light on the violent methods used by governments to maintain order.

May 26, 2015 We were saddened to learn of the passing yesterday of Mary Ellen Mark, a great, world-renowned American photographer and a wonderful friend to Criterion. In honor of her extraordinary career, we thought we‘d share an excerpt from a recent interview...

May 22, 2015 It is one of my most strongly held critical beliefs that you should not write about films you don’t like. First, it is bad for the soul to exult in pointing out the deficiencies of the film in question. Second,...

Oklahoma Lola

In Theaters

May 21, 2015 Repertory PicksWhen cinematographic genius Max Ophuls made his first Technicolor, CinemaScope extravaganza (also, sadly, his last, due to his death), he pulled out all the stops. Lola Montès, his ravishing biopic of the notorious nineteenth-century courtesan, is the kind of...

May 20, 2015 We were thrilled to sit down with the iconic Bette Midler about her dazzling breakthrough performance as a Janis Joplin–esque rock star at the end of her rope in The Rose, a wild, energetic turn that was the result of...

May 18, 2015 Director and movie maven extraordinaire Peter Bogdanovich sat down with us in 2009 to talk about Leo McCarey’s masterful Hollywood weepie Make Way for Tomorrow. Since we released the film on Blu-ray for the first time last week, we thought...

Cracking Cannes

Features

May 13, 2015 Cannes is complicated. To the first-time visitor, it seems a blur of parties, dinners, and screenings, and wherever you are, you are constantly troubled by the thought that the really hot screening or the really hip party is happening elsewhere.

May 11, 2015 The poignancy of Leo McCarey's tearjerker is due as much to the director's scrupulous aesthetic choices as his unforgettable characters and story.

May 8, 2015 Repertory PicksIn 1993, the original negatives of Satyajit Ray’s The Apu Trilogy were burned in a massive nitrate fire at a laboratory in London. Even though there were no technologies available at the time capable of fully restoring such badly...

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