The Criterion Collection
Sneak Peeks
Mar 28, 2014 — By the time he made The Freshman in 1925, Harold Lloyd was already a superstar. His comedies, which combined jaw-dropping derring-do with loveable characters, were routinely among their years’ top box-office attractions. When Lloyd announced he was working on a...
Features
Mar 26, 2014 — The author recalls his encounters with the great Swedish actress.
Mar 25, 2014 — Silent comedy superstar Harold Lloyd played big dreamers; few were more determined to succeed than the college football player Harold Lamb.
Sneak Peeks
Mar 19, 2014 — Akira Kurosawa’s The Hidden Fortress has long been cited as an influence on George Lucas’s Star Wars. An avid fan of Kurosawa’s, Lucas would eventually work with the Japanese auteur, executive producing the international version of his 1980 Kagemusha. In...
Mar 18, 2014 — In addition to technical brilliance and a humanist message, Akira Kurosawa’s adventure features one of the director’s strongest female characters.
Mar 17, 2014 — Errol Morris’s documentary investigation into the life and theories of Stephen Hawking sets one man against the universe.
Sneak Peeks
Mar 13, 2014 — David Gordon Green’s George Washington makes cinematic poetry out of the tricky art of voice-over narration. In this excerpt from our special edition’s commentary track, writer-director Green and actor Paul Schneider discuss the earthy beauty that fourteen-year-old Candace Evanofski brings...
Sneak Peeks
Mar 12, 2014 — Rarely does a director go into much detail about what he thinks doesn’t work about one of his own films, but Steven Soderbergh got candid with us in an interview about his disappointment with his 1995 film The Underneath—which he...
Mar 11, 2014 — Presenting five poor, black and white North Carolina preteens as they awaken to love and death, George Washington (2000) tells a common adolescent story, yet the film is distinguished by the poetic, ruminative style of its twenty-five-year-old director, David Gordon...
Production Notes
Mar 5, 2014 — A few years ago, as I was collaborating on the Criterion release of Last Year at Marienbad, I had the chance to meet Alain Resnais. We had released Hiroshima mon amour and Night and Fog a few years earlier, and...