The Criterion Collection
Short Takes
Feb 5, 2010 — Robert Altman: The Oral Biography (Knopf) begins with an epigram that pretty well sums up Altman’s attitude toward “truth” and “realism” in cinema and life. “I don’t think anybody remembers the truth, the facts,” the great filmmaker said. “You remember...
Feb 2, 2010 — Dear Criterion collectors, Our three least favorite initials: OOP. Since we launched the Criterion Collection more than twenty-five years ago, we’ve endeavored to keep everything we’ve published in print. But despite our efforts to renew rights, we are losing a...
Jan 26, 2010 — Today, most people’s knowledge of George Bernard Shaw doesn’t extend much further than his classic comedy Pygmalion. But the legendary playwright and theater critic (1856–1950) wrote more than sixty plays. In February, we at the Criterion Collection will do our part...
FYI
Dec 22, 2009 — When we released Jim Jarmusch’s films Down by Law and Night on Earth, the supplement Ask Jim, in which he answered questions viewers wrote in about his films, was so popular that we’ve decided to do it again. We are...
Short Takes
Dec 21, 2009 — It is with great sadness that we note the passing of Robin Wood, a true lion of film criticism and a dear friend. How does one begin to describe the impact this writer and thinker had on his field? For...
Tech Corner
Dec 15, 2009 — Last Friday, Fumiko, Issa, and I went up to Rochester, New York, to the Eastman House. We have been talking to them about accessing their archive on a more regular basis, starting with the three von Sternberg films that are...
Features
Dec 9, 2009 — Not that he himself wanted to be remembered. Rather, he wanted his work to be remembered. He once wrote: “Take ‘myself,’ subtract ‘movies,’ and the result is ‘zero.’” It was as though he thought he did not exist except through...
Dec 1, 2009 — The first words we hear are Sam Cutler’s: “Everybody seems to be ready—are we ready?” We were nowhere near ready for what was to come, there at the bitter end of the sixties. I remember that rainy day so well,...
Dec 1, 2009 — Running a taut ninety-one minutes, this documentary about the Rolling Stones is a masterpiece of restraint and understatement.