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Apr 22, 2015 — Knowing Martin Scorsese was a fan of Jean Renoir’s India-set The River, we asked him to record an introduction when we first released it in 2004 (since then, he even included it in his Criterion Top 10, calling it “a...

Apr 20, 2015 — "Afilm about India without elephants and tiger hunts”—this was how Jean Renoir described his objective in making The River. Guided by Rumer Godden’s autobiographical novel, he rejected the India of exotic action and spectacle to make a meditative, almost mystical...

Apr 14, 2015 — Preston Sturges revealed a lot about himself and the movie business in this hilarious and socially committed comedy.

Apr 14, 2015 — Before he turned Vienna into a labyrinth of shadows with The Third Man, Carol Reed brought film noir to Belfast for this stylishly fatalistic tale of a man caught up in political violence.

Apr 2, 2015 — Repertory Picks New York’s Japan Society is in the midst of celebrating two of Japanese cinema’s biggest stars in the screening series The Most Beautiful: The War Films of Shirley Yamaguchi and Setsuko Hara. Focusing on films made before, during,...

Mar 30, 2015 — The astonishing intimacy and scope of this remarkable, aesthetically captivating epic ushered in a new era of narrative documentary filmmaking.

Mar 30, 2015 — A master of using the camera to draw truth from interview subjects, Errol Morris was unsurprisingly a candid and fascinating interview subject himself in new supplements we made for the Criterion releases of Gates of Heaven/Vernon, Florida and The Thin...

Mar 25, 2015 — Errol Morris’s revolutionary film boldly investigated the truth of a murder case while reimagining documentary cinema aesthetics.

Mar 25, 2015 — Long unheralded and at last rediscovered, actor-director Robert Montgomery’s Ride the Pink Horse is one of the key Hollywood features of 1947, the year film noir flooded the screen like a ruptured reservoir of India ink. Adapted from the popular...

Mar 24, 2015 — Words—they conceal and reveal so much about us, as Errol Morris’s elusive and brilliant first films attest.