Voice

Bilge Ebiri is a writer for New York magazine, and has written for the Village Voice, the New York Times, Rolling Stone, Bookforum, and many other publications.

Graham Reznick is a director and sound designer based in Brooklyn. His hallucinatory 2008 horror feature I Can See You received rave reviews in the New York Times, Variety, and the Village Voice. Learn more about Reznick’s work at aphasiafilms.com.

Michael Musto is the author of the popular, long-running "La Dolce Musto" column in the Village Voice. His compilation book, also called La Dolce Musto, is due out from Carroll Graf in January 2007.

Ed Halter is a founder and director of Light Industry, a venue for film and electronic art in Brooklyn, and teaches as Critic in Residence at Bard College. His writing has appeared in 4Columns, Artforum, the Village Voice, and elsewhere.

Michael Atkinson writes regularly for the Village Voice and Sight and Sound, and teaches at Long Island University. His books include Exile Cinema (SUNY Press) and Blue Velvet (British Film Institute), which was reissued in a new edition in 2021.

Andrew Sarris (1928–2012) was a longtime critic at the Village Voice (from 1960 to 1989) and the New York Observer (from 1989 to 2009), and the author of numerous books, including The American Cinema: Directors and Directions, 1929–1968 and “You...

Bruce Eder is a longtime journalist, film writer, and audio/video producer whose work has appeared in the Village Voice, Newsday, Current Biography, Interview, the Oxford American, AllMusic, and AllMovie. He has been a frequent contributor to the Criterion Collection and...

A longtime critic for the late Village Voice, J. Hoberman is the author of books including a three-volume history of Cold War Hollywood (An Army of Phantoms, The Dream Life, and Make My Day) as well as monographs on Jack...

Amy Taubin wrote regularly about movies for the Village Voice for fifteen years and for Artforum and Film Comment even longer. She lives and still writes a lot in New York City.

Oct 13, 2026 — Blending elements of psychological thriller, social satire, and psychedelic film, Jerzy Skolimowski’s Cannes-award-winning classic uses its audacious sound design to evoke the terror of English civilization.