The Criterion Collection
The Daily
Jan 23, 2019 — Checking in on how the nominees are currently faring with critics and awards prognosticators.
Dec 12, 2018 — Selection to the registry ensures that “these films will be preserved for all time.”
Essays
Nov 27, 2018 — With The Magnificent Ambersons, Orson Welles created a model of period filmmaking, lightly deploying historical signifiers while focusing on the haunting power of his actors’ faces.
Nov 26, 2018 — The Magnificent Ambersons “Plus one and minus one equal nothing. So you mean I’m nothing in particular?” —Isabel “Remember you very well indeed.” —George “George, you never saw me before in your life!” —Eugene What is this cult I signed up...
The Daily
Nov 26, 2018 — The cinematographer-turned-director reinvigorated British cinema with bold color and nonlinear storytelling.
Nov 15, 2018 — In two made-for-television productions, a middle-aged Ingmar Bergman blurred the boundaries between screen and stage.
Nov 1, 2018 — Art director Richard Holland shares the nitty-gritty of how he constructed the infernal torture device in Rob Reiner’s classic fairy tale.
Sneak Peeks
Oct 1, 2018 — Professor Imani Perry details how Lorraine Hansberry’s own experience of housing discrimination made its way into her landmark play.
Sep 24, 2018 — This faithful screen adaptation of Lorraine Hansberry’s legendary play explores a wide range of perspectives on working-class black life, and over the years has inspired reactions just as diverse.
On the Channel
Sep 24, 2018 — Professor David Bordwell breaks down the stunningly innovative thirteen-minute prologue of Alain Resnais’s debut feature in this excerpt from a program on the Criterion Channel.