In a Corner

Aug 12, 2010 — One of the most challenging aspects of our work is to get accurate color for films when there are no filmmakers to consult with. This is especially true of films from the fifties and sixties, for which cinematographers, directors, editors,...

Jan 16, 2013 — Restoration Spotlight Criterion’s new restoration of Alfred Hitchcock’s 1934 thriller The Man Who Knew Too Much was a project many years in the making. Since the original negative is missing, the first challenge was to find the best possible source...

Jan 23, 2008 — Of all the great places I get to go for transfer work, London is probably my favorite. First off, everyone speaks English, and there’s an abundance of great Indian food. But there’s also the excitement that when the workday ends,...

Nov 11, 2019 — This month we’re reading about the women (and men) of Hollywood, weighing arguments from all corners, and picking up an overlooked novel.

Oct 16, 2008 — While in New York for the premiere of Ashes of Time Redux, Hong Kong auteur Wong Kar-wai and his long-time cinematographer, Christopher Doyle, sat down with Leonard Lopate for the radio host’s daily show. In the course of discussing the...

Jan 7, 2016 — While in Tokyo to work on Akira Kurosawa’s 1990 film, our technical director got a glimpse at some of the filmmaker’s original drawings that he used to shoot the movie.

Mar 1, 2017 — The restoration teams at Warner Bros. and Criterion explain how they captured the silken texture of the nitrate print of Michael Curtiz’s classic noir melodrama.

Apr 22, 2013 — Restoration SpotlightShot in VistaVision and Technicolor, Richard III is the most eye-catching of Laurence Olivier’s essential big-screen Shakespeare adaptations. For years, it couldn’t be seen in its original glory, due to lost footage, faded colors, chemical staining, and missing frames....

Dec 15, 2009 — Last Friday, Fumiko, Issa, and I went up to Rochester, New York, to the Eastman House. We have been talking to them about accessing their archive on a more regular basis, starting with the three von Sternberg films that are...

Dec 11, 2017 — In an episode of the groundbreaking IFC series Split Screen, filmmaker Richard Stanley talks about being fired from the production of notorious box-office bomb The Island of Dr. Moreau.