The Hindenburg

Aug 7, 2016 — Following an arduous restoration effort that involved broken scanners, missing reels, and the complicated transfer of materials between Taipei, Bologna, and New York, Edward Yang’s 1991 epic film is finally available in a high-quality viewing format.

Aug 5, 2016 — The director returns to the big screen with our new restoration of his long-unavailable sophomore feature, shot in 1970 on a shoestring budget, which kicks off its national theatrical rollout with a run at New York’s IFC Center.

Aug 4, 2016 — Douglas Hart is a filmmaker, video director, and founding member of the Jesus and Mary Chain. As a video director, Hart has worked with My Bloody Valentine, Primal Scream, the Stone Roses, Baby Shambles, Paul Weller, the Horrors, and the...

Aug 4, 2016 — The Vancity Theatre is screening Rainer Werner Fassbinder’s penultimate feature, the second installment of his BRD trilogy, a series of films centered on women in postwar Germany.

Aug 1, 2016 — Back in January, veteran actor Keith Baxter stopped by the Criterion offices for lunch and regaled us with memories of his experience working with Orson Welles.

Jul 30, 2016 — Art director Eric Skillman describes working with Jack on the design for our release of Stanley Kramer’s It’s a Mad, Mad, Mad, Mad World as one of the highlights of his career.

Jul 28, 2016 — The National Gallery of Art presents the 1930 silent film, an exuberant ode to Weimar Berlin, with live musical accompaniment.

Jul 26, 2016 — Megan Abbott is the award-winning author of seven novels, including Dare Me and The Fever. Her writing has appeared in the New York Times, the Guardian, and the Wall Street Journal. She is also the author of The Street Was...

Jul 22, 2016 — Two pieces, written by director King Hu, that were originally published as part of a 1975 press kit for the Cannes Film Festival.

Jul 21, 2016 — As part of a monthlong film series, the Austin Film Society is screening Maurice Pialat’s 1983 masterpiece.