Dec 15, 1986 It has been estimated that one out of four feature films made in America before the mid-1960s was a western. Since approximately 35,000 features were released in this country in the 70 years after the introduction of film, this would...

The 39 Steps

Essays

Dec 9, 1985 Movie thrillers may come and go, but after half a century, Alfred Hitchcock’s The 39 Steps still reigns supreme. And not only for the sheer, breathless excitement of the story; the seamless construction; the chilling, beautifully realized atmosphere; and the...

Dec 28, 2015 In June, we lost the inimitable American writer James Salter. The author, one of the great novelists of the twentieth century, also had a career as a Hollywood screenwriter—which included penning Michael Ritchie’s 1969 Olympic skiing drama Downhill Racer. Our...

Dec 1, 2015 Critic Todd McCarthy takes an inside look at Michael Ritchie's outdoor drama, which he calls “spare, cut to the bone, as fine as dry powder. Had Hemingway ever written about competitive skiing, this would have been the right style with...

Feb 6, 2018 A key collaborator on Michael Ritchie’s Downhill Racer and the creator of two Olympic films, Joe Jay Jalbert chats with us about the art of capturing skiing on-screen.

The director of All Quiet on the Western Front and Conclave shares his love for Downhill Racer and its innovative sound design, talks about the emotional impact of Cold War, and selects a few of Roberto Rossellini’s films featuring Ingrid...

Jul 6, 2026 Karlovy Vary hosts the world premiere of a new restoration of the Czech director’s 1988 tragicomedy.

Jun 10, 2026 Early reviews of his thirty-fifth feature may be all over the place, but appreciation of the man himself is universal.

Mar 31, 2026 Violently nihilistic, simultaneously energizing and crushing, Tsui Hark’s remake of the martial-arts classic One-Armed Swordsman captures the zeitgeist of pre–1997 handover Hong Kong.

Dec 2, 2025 In a string of short films he made in the 1920s, Man Ray brought a restlessly inventive spirit to a young medium, pushing the boundaries of cinematic form with frenetic editing, abstract imagery, and surrealist camera tricks.

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