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Jan 22, 2009 — Last fall the Criterion Collection and Janus Films joined forces to acquire a first-run film for theatrical distribution—a rare move for two companies best known for handling the classics of cinema history. Revanche, both an existential thriller and a quiet,...

Jan 15, 2009 — I have never seen New York look so beautifully grand as it did during my trip to Paris this New Year’s. Maybe I should explain. It was my great fortune to be visiting the City of Light while the intensely...

Dec 29, 2008 — If I had not seen The Lady Vanishes at the age of seven, I might never have become a film critic. I was the fifth child of parents well into middle age: clearly an “accident,” as I was ten-years-plus younger...

Dec 21, 2008 — André Bazin has a curious status in intellectual life. He is everywhere admitted as the founding father of film criticism and theory in general. The magazine he created in the 1950s, Cahiers du cinéma, has good claim to be the...

Dec 16, 2008 — More than a year ago, Peter and I were in the midst of discussions about how we wanted to launch the Criterion cinematheque. Over time, those discussions expanded to include every department at Criterion. We wanted to have a single...

Dec 15, 2008 — Flash back to September 1968. The Swedish Film Week in Sorrento, Italy, with its alfresco suppers and its excursions to Capri and Pompeii. Ingmar Bergman was expected, and he and Liv Ullmann were assigned a luxurious villa for the duration....

Dec 11, 2008 — Technical director Lee Kline, just back from Paris, where he worked on Last Year at Marienbad with Alain Resnais, reports: I was a little nervous to show Alain Resnais our new transfer of Marienbad, but I pushed hard to have...

Nov 20, 2008 — Credited with single-handedly reviving the lost art of the concert poster, Frank Kozik credits his career to his enthusiasm for Austin, Texas’s growing underground rock scene in the mid-eighties. Find out more, at frankkozik.net and fkozik.com. In addition to the...

Nov 20, 2008 — Recipient of a special New York Film Critics Circle award for visionary programming, Bruce Goldstein is the Repertory Program Director of New York’s Film Forum, for which he has created more than 350 film festivals and spearheaded the rereleases of...

Nov 2, 2008 — To see the gorgeous Fanfan la Tulipe is to go back in time twice over: to the film’s eighteenth-century French setting and to the international cinema world of more than fifty years ago, when this genial action farce was initially...