The Criterion Collection
Oct 23, 2018 — Brian De Palma found his home in the psychological thriller with this chilling tale of murder, which twists genre conventions to investigate the perils of looking and the pitfalls of subjectivity.
Oct 22, 2018 — With her a capella take on the Rolling Stones’ “As Tears Go By,” the singer turns a brief moment in one of Godard’s most playful films into a reflection on loss.
Oct 18, 2018 — Separated by more than a decade in Ingmar Bergman’s filmography, these two formally masterful dramas uncover the ugliness of male aggression and brutality.
The Daily
Oct 14, 2018 — If horror is going to be forever plagued by remakes and sequels, we could do worse than this year’s Halloween and Suspiria.
Oct 9, 2018 — This adaptation of James Baldwin’s 1974 novel is a testament to the director’s professed influences.
The Daily
Oct 2, 2018 — The past weighs heavily on the present in Long Day’s Journey into Night, Ash Is Purest White, and A Family Tour.
Oct 1, 2018 — A breathtaking, rarely screened vérité document encapsulates the social and aesthetic sea change that transformed France in the spring of 1968.
The Daily
Sep 29, 2018 — This “lean but evocative allegory” can be read in a surprising number of ways.
The Daily
Sep 12, 2018 — Viola Davis, Robert Redford, and Gael García Bernal star in a cluster of new heist movies.
Visual Analysis
Sep 9, 2018 — Under the Influence Whether he’s exploring the dynamics of a family in crisis or putting his own spin on the body horror genre, Norwegian director Joachim Trier always returns to the subjective experience of time and memory as a central...