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The Music Room

Nov 30, 2009 The following essay was originally written for Criterion’s website in 2005, on the occasion of the DVD release of Powell and Pressburger’s The Tales of Hoffmann. We have posted it here to coincide with BFI Southbank’s ongoing Hein Heckroth exhibition...

May 25, 1992 Cecil B. DeMille’s spectacle turned out to be the silent screen’s most elaborate realization of “the greatest story ever told.”

Aug 10, 2021 Hirokazu Kore-eda’s international breakthrough is a bittersweet meditation on mortality, memory, and the movies.

Oct 28, 2017 We begin with a few translations. Asymptote lives up to its own billing as “the premier site for world literature in translation” with the presentation of Adam Kuplowsky’s renderings in English of some observational work by Yasujiro Ozu. “These three...

Jun 30, 2020 A nonverbal man sits on a bench on a village street. With his hands, he tells the story of his village. His hands say that all of the villagers were herded together into a barn. His hands say that the...

Feb 25, 2020 In these times of Trumpidation, thirty years after its auspicious release, Paris Is Burning seems even more relevant than it did in early 1991, when I wrote the following for Black Film Review about Jennie Livingston’s phenomenal documentary on New...

Mar 23, 2020 The new issue features interviews with Tsai Ming-liang and Heinz Emigholz; plus the latest on the crisis.

Oct 12, 2017 Tonight, Griffin Dunne will be at the Walter Reade Theater to take part in a Q&A following a screening of the documentary he’s made about his aunt, Joan Didion: The Center Will Not Hold. The New York Film Festival will...

Feb 16, 2016 In Death by Hanging, Nagisa Oshima spins a complex aesthetic web around his documentary-like structure, packing detail, history, politics, and emotion into his surrealist inquiry into capital punishment.

Apr 28, 2023 One of Britain’s most celebrated playwrights talks about bringing her uncompromising exploration of racism and resistance to the screen.

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