Oct 19, 2023 Her entrance in the film is impossible to forget. She swings into the scene to serve a patron some coffee, holding a cup in one hand and a book in the other. Her diamond-shaped face is obscured, but her aura...

Love Wins

The Daily

Oct 19, 2023 The UK celebrates Powell and Pressburger, two writers tune into Robert Bresson, and The Exorcist turns fifty.

Oct 17, 2023 I. “Morbid Cinema” On October 10, 1962, there appeared a brief paragraph from the Associated Press: “Tod Browning, eighty-two, who directed scores of movies between 1917 and 1939, is dead. He succumbed Saturday after an illness, and no funeral plans...

Oct 11, 2023 New York and London jointly launch a new restoration of the first feature directed by a Black British filmmaker.

Oct 4, 2023 In his forty-seventh film, Wiseman explores all that goes into running one of the world’s greatest restaurants.

Sep 26, 2023 Brett Morgen’s portrait of David Bowie is a free-associative hybrid of pop history and imaginative extravaganza—impressionistic, eclectically allusive, and, above all, immersive.

Sep 26, 2023 In this vibrant, music-filled portrait of an artist and his community, director Luis Valdez gathers what little is known about rock-and-roll idol Ritchie Valens and fuses it with a lived-in understanding of what it is to be Chicano.

Sep 25, 2023 There was a period under the Nixon administration when the collective American psyche, as seen on film, seemed almost convulsed by its fixation on the motor vehicle. Every other week a moviegoer might see a film that could broadly be...

September Books

The Daily

Sep 25, 2023 This month brings collections on Straub-Huillet and Whit Stillman, an Anna May Wong biography, and a novel starring Marilyn Monroe.

Sep 22, 2023 John Waters goes Hollywood, Terence Davies reads a poem, and Marguerite Duras tears it all down.

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