Oct 16, 2013 Georges Franju deftly balances fantasy and realism, clinical detachment and operatic emotion, beauty and pain, all presided over by Edith Scob’s haunting, haunted eyes.

Jan 8, 2013 The two movies that opened the door to “youth culture” in Hollywood, The Graduate and Easy Rider, were milestones, to be sure. But can it really be said that they were milestones in the art of cinema? “I think The...

Nov 20, 2012 Michael Cimino’s visionary western is a superbly realized account of a shocking real American tragedy.

Aug 28, 2012 A frenetic portrait of New York as well as a love story, Paul Fejos’s film captures the odd sensation of being alone in the big city, even when in a crowd.

Nov 8, 2011 With the very first shots of Fanny and Alexander (1982), director Ingmar Bergman announces his perspective and signals his intentions. Here, we find the ten-year-old Alexander gazing into a puppet theater, lifting layer after layer of skillfully painted backdrop. We...

Bobbing for Boudu

Short Takes

Dec 8, 2010 Over at his New Yorker blog, The Front Row, Richard Brody dives back into Jean Renoir’s Boudu Saved from Drowning, the Criterion edition of which is his DVD pick of the week. Over a lovingly assembled montage of clips from...

Nov 26, 2010 Early in Peter Bogdanovich’s The Last Picture Show, as the wind from the Texas plains whips the small town of Anarene, the high-school senior Sonny Crawford (Timothy Bottoms) halts his recalcitrant pickup truck—Hank Williams is warbling “Why Don’t You Love...

Nov 25, 2010 Five Easy Pieces is not a statement about America but a closely observed report. Or, perhaps, a confession.

Apr 20, 2010 In 1992, I went to Paris to see some movies that weren’t turning up on these shores, at least not as quickly as I wanted them to. At the time, it meant something particular to be going to Paris to...

Mar 3, 2010 The Guardian has begun an exciting new short essay series called The Film That Changed My Life, and the first entry brings together two titans of cinema history. Bernardo Bertolucci writes lovingly of Jean Renoir’s The Rules of the Game,...

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