The Criterion Collection
Sep 18, 2019 — One Scene The way some rock fans talk about the sanctity of live music, you’d think it was a guaranteed path to transcendence. But of course most concerts fall far short of the sublime, and the thrill of breathing in...
Nov 26, 2018 — The Magnificent Ambersons “Plus one and minus one equal nothing. So you mean I’m nothing in particular?” —Isabel “Remember you very well indeed.” —George “George, you never saw me before in your life!” —Eugene What is this cult I signed up...
Sneak Peeks
Sep 13, 2013 — Edouard Molinaro’s 1978 La Cage aux Folles is not only an entertaining farce but also a landmark, for the way it opened many viewers’ eyes to both drag culture and same-sex relationships. To find out more about the film’s sexual...
Essays
Feb 9, 2010 — You can’t keep a good woman, or a great movie about a good woman, down. By all accounts, goodness in the real Lola Montez reflected the vagaries of character, not talent. She was, as Cosmo Brown says of Lina Lamont...
Dec 1, 2017 — Press NotesOne of the great masters of melancholy comedy, Finnish director Aki Kaurismäki, returns to theaters today with The Other Side of Hope, his first film since 2011’s Le Havre. Continuing his empathetic exploration of global migration, Kaurismäki’s latest is...
The Daily
Feb 2, 2024 — Film Forum’s series of thirty films centering on women loving women is “eccentric, enduring, and genre-encompassing.”
The Daily
Sep 15, 2022 — Spielberg finally tells the story that has shaped so many of his films, and critics are loving it.
Jan 29, 2018 — Acclaimed filmmaker Bertrand Tavernier pays loving tribute to Claude Autant-Lara’s diamond-cut romantic tragedy Douce and its radical take on class relations.
Nov 11, 2002 — Continued from Anatomy of a Love Festival - Part One The real turn-on, though, was the music—twenty-two hours of it, divided into solid chunks that usually ran more than thirty minutes. Friday night was the epitome of what San Francisco...
Essays
Sep 8, 1998 — In David Lean’s Summertime, in which Rossano Brazzi seduces Katharine Hepburn—an aging, repressed Ohio “working girl” on vacation in Venice—the Continental lover reached his pinnacle and approached his end. In the next decade, he would be embodied by Marcello Mastroianni,...