The Criterion Collection
Jul 25, 2023 — A master class in dramatic tension and pacing, Carl Franklin’s neonoir masterpiece explores the desperate energy and desperate deeds that fuel real crime.
Jul 29, 2019 — The late Dutch actor worked with directors as varied as Paul Verhoeven, Ermanno Olmi, Ridley Scott, and Nicolas Roeg.
Features
Dec 20, 2017 — In her latest column, critic Imogen Sara Smith explains how cinematographer Henri Decaë brought a risk-taking spirit and seductive allure to some of the most iconic French crime films.
Nov 4, 2014 — In cinema history, there truly is no gag like a Tati gag.
Sep 23, 2014 — In director Jack Clayton’s hands, Henry James’s tale of the sinister and sensual things hiding behind Victorian decorum becomes one of the screen’s great works of terror.
Nov 30, 2009 — The following essay was originally written for Criterion’s website in 2005, on the occasion of the DVD release of Powell and Pressburger’s The Tales of Hoffmann. We have posted it here to coincide with BFI Southbank’s ongoing Hein Heckroth exhibition...
Dec 9, 1991 — This rarely seen, overlooked gem, featuring what may be one of Marlon Brando’s most fascinating characterizations, was Gillo Pontecorvo’s worthy follow-up to his political masterpiece The Battle of Algiers. The brilliant radical Italian director achieved something unique in cinema, by...
The Daily
Jul 17, 2026 — Some early reviews raise a few objections, but for the most part, Nolan is wowing critics with his grandest vision yet.
The Daily
Jul 8, 2026 — Around five hundred films—restorations, revivals, rediscoveries—screened last month in Bologna.
The Daily
Jun 18, 2026 — Martin Scorsese, Agnès Varda, Lars von Trier, and Katharine Hepburn are just a few of the names you might be adding to your summer reading list.