The Criterion Collection
While we were working on our new edition of Polyester, the Pope of Trash paid us a visit and shared stories about meeting Shirley Stoler and watching 8½ under the influence.
The Daily
May 10, 2018 — The underground scene of Leningrad in the early 80s is the real star here.
Jan 31, 2014 — Tim Forbes is chairman of Forbes Digital and a former independent producer and screenwriter. He writes: “At the Brown Film Society in the early 1970s, we ran about twenty different movies a week, showing everything then available, from the lowliest...
Dec 9, 1991 — This rarely seen, overlooked gem, featuring what may be one of Marlon Brando’s most fascinating characterizations, was Gillo Pontecorvo’s worthy follow-up to his political masterpiece The Battle of Algiers. The brilliant radical Italian director achieved something unique in cinema, by...
Clyde Folley is a video editor at the Criterion Collection and has curated several collections on the Criterion Channel including ’80s Horror and VHS Forever. He is also the editor of Videoheaven (2025).
Tullio Kezich wrote the biography Fellini and a diary of the shooting of La dolce vita. He also cowrote the screenplay for The Legend of the Holy Drinker with Ermanno Olmi. This piece previously appeared in the Criterion Collection’s 2001...
Essays
Dec 11, 2024 — In this semiautobiographical meditation on the fickle nature of creative genius, Federico Fellini opens his arms wide to the enigmas of childhood, religion, art, sex, and love—mysteries with no solution.
On the Channel
Aug 5, 2018 — The writer-director of Monsoon Wedding and Salaam Bombay! takes us through an eclectic mix of favorite films, including works by Jane Campion, Lars von Trier, and Satyajit Ray.
Apr 12, 2017 — With a comprehensive retrospective of her work opening at New York’s Quad Cinema, Lina Wertmüller chats with us about her early days as a moviegoer and her collaborative process.
Essays
Jul 2, 2015 — By recounting the impossibility of making a movie, Federico Fellini ended up creating a masterpiece that almost fell into his lap.