May 1, 2015 In his first feature, Jean-Pierre Melville found subtly radical ways to adapt Vercors's underground French novel about quiet resistance against the German occupation.

Apr 23, 2015 Repertory Picks Red, Krzysztof Kieślowski’s final film, and the conclusion of his Three Colors trilogy, was the capstone of a brilliant cinematic career. Though some of its power comes from its subtle connections to the earlier films in the series,...

Spring in New York

In Theaters

Apr 2, 2015 Repertory Picks New York’s Japan Society is in the midst of celebrating two of Japanese cinema’s biggest stars in the screening series The Most Beautiful: The War Films of Shirley Yamaguchi and Setsuko Hara. Focusing on films made before, during,...

Feb 10, 2015 The late film scholar beautifully analyzes the visual lyricism of the French master’s legendary short work.

Jan 22, 2015 Repertory PicksOf all the colorful characters in Robert Altman’s Nashville, the funniest and perhaps most maddening is Opal, the British reporter who claims to be covering the country music capital for the BBC and who always seems to be where...

Jan 21, 2015 Money can’t buy love and happiness in Preston Sturges’s classic comedy—or can it?

Oct 28, 2014 What you hear is as crucial—and as funny—as what you see in Tati’s films.

Oct 16, 2014 Repertory PicksThe Loft Cinema in Tucson, Arizona, is kicking off its annual Loft Film Fest tonight with a very special event. The Pulitzer Prize–winning novelist and screenwriter Larry McMurtry will appear in person for a screening of The Last Picture...

Aug 7, 2014 Repertory PicksOn August 13, the Cleveland Museum of Art will screen part one of Raymond Bernard’s monumental 1934 film Les misérables, probably the best big-screen adaptation of Victor Hugo’s novel, and the only one that gave it a running time...

Jul 25, 2014 In April, the great Iranian director Abbas Kiarostami made a special onstage appearance at Indiana University Bloomington to discuss both his career and his latest film, Like Someone in Love, available from the Criterion Collection. We were there to record...

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