The Criterion Collection
Jun 29, 2015 — This work of hallucinatory lyricism was one of the final and freest expressions of the rule-flouting New Wave movement in Czechoslovakia.
Aug 27, 2013 — Ernst Lubitsch’s World War II–era high-wire act is a profound take on the absurdity cruelty of civilization and a perfect black comedy to boot.
Essays
Jun 23, 2003 — Alain Resnais’s antidocumentary never purports to “document” the heinous realities of the Holocaust; instead, it interrogates our responses.
Apr 28, 2003 — The fourth installment in François Truffaut’s Antoine Doinel saga is a comedy about marriage, the desire to escape it, and the craftiness involved in running from one’s own desires.
The Daily
May 28, 2026 — Film at Lincoln Center and Cinecittà present two series back to back, Open Roads: New Italian Cinema and History, Italian Style.
The Daily
May 20, 2026 — There’s zero consensus when it comes to the latest films by Na Hong-jin and Cristian Mungiu.
The Daily
May 15, 2026 — This week: Super 8 films by Teo Hernández, a new feature from Patrick Wang, and a revival of Aloïse (1975), starring Isabelle Huppert and Delphine Seyrig.
The Daily
Feb 3, 2026 — This year’s winners tell stories of trauma and triumph.
Oct 28, 2025 — The first of Arturo Ripstein’s films to receive wider international acclaim, this blood-soaked, surrealist vision of amour fou harks back to the director’s roots as an admirer and protégé of Luis Buñuel.
The Daily
Sep 12, 2025 — Pasolini, Kurosawa, and a week so busy we need to wrap with a lightning round.