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Jim Ridley (1965–2016) wrote about movies for the Nashville Scene, an alternative newsweekly in Nashville, as well as Cinema Scope, the Village Voice, and LA Weekly.

Giulia D’Agnolo Vallan is a New York–based film writer and curator, and U.S. programmer and selection committee member of the Venice Film Festival. From 2003 to 2006, she was the codirector of the Torino Film Festival. Among her books are...

Farran Smith Nehme has written about film and film history for the New York Post, Barron’s, the Wall Street Journal, Film Comment, the Village Voice, and Sight and Sound as well as for her Substack, Self-Styled Siren.

Bilge Ebiri is a writer for New York magazine, and has written for the Village Voice, the New York Times, Rolling Stone, Bookforum, and many other publications.

Graham Reznick is a director and sound designer based in Brooklyn. His hallucinatory 2008 horror feature I Can See You received rave reviews in the New York Times, Variety, and the Village Voice. Learn more about Reznick’s work at aphasiafilms.com.

Michael Musto is the author of the popular, long-running "La Dolce Musto" column in the Village Voice. His compilation book, also called La Dolce Musto, is due out from Carroll Graf in January 2007.

Joan Mellen is the author of several books about Japanese cinema, including Voices from the Japanese Cinema and The Waves at Genji’s Door as well as monographs for the BFI on Seven Samurai and In the Realm of the Senses....

Ed Halter is a founder and director of Light Industry, a venue for film and electronic art in Brooklyn, and teaches as Critic in Residence at Bard College. His writing has appeared in 4Columns, Artforum, the Village Voice, and elsewhere.

Todd McCarthy is the chief film critic for the Hollywood Reporter and for many years held the same position at Variety. His books include the biography Howard Hawks: The Grey Fox of Hollywood, and he is an award-winning writer and...

Michael Atkinson writes regularly for the Village Voice and Sight and Sound, and teaches at Long Island University. His books include Exile Cinema (SUNY Press) and Blue Velvet (British Film Institute), which was reissued in a new edition in 2021.