The Criterion Collection
Sep 3, 2007 — Ataxi, without a client in the car or anywhere else in sight, goes around Helsinki’s Senate Square, a place that resonates with history, having seen more patriotism, class struggle, and celebration than any other place in faraway Finland. It stood...
The Daily
Jan 30, 2019 — An exhibition, a film series, and of course, If Beale Street Could Talk are markers of heightened interest in the writer, activist, and cinephile.
The Daily
May 21, 2024 — The reviews are in for Caught by the Tides, Emilia Pérez, and The Substance.
The Daily
Jul 17, 2019 — The program of more than three hundred films includes new work by Pedro Costa, Koji Fukada, and Jeanne Balibar.
May 28, 2019 — It has taken me forty years to appreciate the audacity of Agnès Varda in writing and directing One Sings, the Other Doesn’t (1977). Not only did Varda make her subject the most crucial and vexed issue of the feminist movement, at that...
Aug 7, 2018 — Can creative genius flourish on the federal dime? Animator Norman McLaren’s remarkably innovative, government-funded films suggest it can.
Features
Aug 14, 2016 — While considered to lie outside the highly policed boundaries of film noir, films like Douglas Sirk’s Written on the Wind and Powell and Pressburger’s The Red Shoes nevertheless share many of noir’s stylistic and thematic tropes.
Mar 18, 2022 — With a collection of her films now available on the Criterion Channel, the director behind Still Processing discusses the radically personal nature of her work.
Essays
Sep 21, 2021 — Johnnie To pays homage to Akira Kurosawa in this martial arts drama about the virtue of struggle and self-improvement.
The Daily
Feb 5, 2020 — MoMA’s annual festival of nonfiction film and media is “eclectic by design.”