The Criterion Collection
In Theaters
Apr 5, 2018 — In celebration of Jean-Pierre Melville’s centennial year, the Bryn Mawr Film Institute presents one of the director’s most masterful thrillers.
Dec 1, 2017 — Press NotesOne of the great masters of melancholy comedy, Finnish director Aki Kaurismäki, returns to theaters today with The Other Side of Hope, his first film since 2011’s Le Havre. Continuing his empathetic exploration of global migration, Kaurismäki’s latest is...
Sneak Peeks
Nov 16, 2017 — One of the masters of the French crime film explains how the film-noir form serves as a convenient vehicle for exploring such elemental human themes as freedom and betrayal.
Visual Analysis
Jan 25, 2017 — Anatomy of a GagBeloved for his inventive blend of physical humor and emotional warmth, French director-actor Pierre Etaix passed away last October at the age of eighty-seven. In the second installment of our video series Anatomy of a Gag, filmmaker...
Features
Jan 15, 2017 — To make the performance of a tedious, exacting, time-consuming task riveting to watch, it is only necessary for the activity to be illegal.
Sneak Peeks
Mar 9, 2016 — As late, beloved French auteur Jacques Rivette came of age in the early 1950s, a thriving film culture in Paris was developing around the journal Cahiers du cinéma, for which Rivette wrote (and was later editor in chief). Rivette soon...
Short Takes
Oct 9, 2015 — Agnès Varda keeps popping up in the most unexpected places.
Features
Jun 12, 2014 — The filmmaker’s latest offering at the film festival reaffirms the author’s faith in him.
Essays
Sep 19, 2011 — When Claude Chabrol’s first film, Le beau Serge, had its premiere at the 1958 Cannes Film Festival (out of competition), a fellow critic at Cahiers du cinéma, François Truffaut, wrote: “Technically, the film is as masterly as if Chabrol had...
Apr 12, 2011 — After Army of Shadows, Melville and I stayed in touch . . . One day, he announced: “I’m going to make a new film. You’re not composing the score for it; I’ve contacted Michel Legrand . . .” Of course, I was disappointed....