The Criterion Collection
Dec 14, 2017 — Guillermo del Toro will co-write (with Kim Morgan), direct, and produce a remake of Edmund Goulding’s Nightmare Alley (1947; image above), reports Variety’s Justin Kroll, noting that the original “starred Tyrone Power as an ambitious young con-man who hooks up...
On the Channel
Sep 25, 2017 — In the latest episode of Observations on Film Art, Professor Kirstin Thompson explores the sonic innovations that Fritz Lang pioneered in a masterpiece of early sound cinema.
Jul 8, 2017 — A number of projects in the works have been announced since Thursday’s overall roundup, and we begin with Michael O'Connell for the Hollywood Reporter: “Ava DuVernay is adapting the story of the ‘Central Park Five’ for Netflix. The multihyphenate, currently...
On the Channel
May 22, 2017 — The intersection of cinema and the performing arts has been a source of inspiration for many of the world’s greatest auteurs. Over on the Criterion Channel, we’re raising the curtain on our latest series, All the Screen’s a Stage, which...
On the Channel
Dec 8, 2016 — It may be the season of cheerful carols and twinkling lights, but the holidays also bring about a melancholy mood that has inspired some of the world’s greatest filmmakers. This week on the Criterion Channel at FilmStruck, our new series...
Sep 19, 2012 — Marcel Carné’s tale of love and devilry in medieval France was a sensation during the German occupation.
Sep 23, 2011 — Performances Lillian Gish once said, “I’ve never been in style, so I can never go out of style.” The silent-screen legend was being modest, but she was clearly on to something—something that Charles Laughton grasped when he cast her as...
Jun 30, 2008 — The novelist Mishima Yukio stepped behind the camera to adapt his own short story, which depicts the act of seppuku as a thing of beauty.
Jul 9, 2007 — Set almost entirely in a single house, Hiroshi Teshigahara’s eloquent collaboration with writer Kobo Abe shows both his powerful staging and his love of fine, almost microscopic, detail.
Jan 5, 2006 — Akira Kurosawa appreciated Shakespeare’s knack for linking the private and the political, threading a tale of corruption and revenge through a tangle of blood ties.