The Criterion Collection
Mar 20, 2013 — Michael Powell and Emeric Pressburger’s adroit masterpiece is war film, dark comedy, historical drama, poignant romance, and a portrait of the modern woman.
Nov 20, 2012 — For a brief, shining moment, the genteel Japanese studio mutated into a fun house of grim ghouls and slimy aliens.
Oct 2, 2012 — Set in 1960s Hong Kong, Wong Kar-wai’s ravishing masterpiece is both a love song to a city and a human romance of epic intimacy.
May 5, 2009 — Every second of David Fincher’s uncanny drama—every shot and every cut, every gesture and every facial expression, every turn in its narrative and every visual effect—is devoted to the contemplation of time’s passing.
Jan 6, 2009 — Bernardo Bertolucci’s Oscar-winning film is not just an epic but also a small film, one in which, somehow or other, the scope of David Lean has been enriched with the vision of Ozu.
Jun 23, 2008 — Five years of increasingly horrific news from the former Yugoslavia made Milcho Manchevski’s searing yet lyrical film timely to a degree that few filmmakers have ever achieved.
Essays
May 21, 2001 — Akira Kurosawa’s period film not only commemorated historical Japanese myths with new, vivid feeling but also created the source for many of the enduring entertainment tropes in world cinema today.
Essays
Apr 6, 1993 — Robert Altman’s darkly witty, gleefully close-to-bone satire of Hollywood is also a return to the infinitely sly and supple virtuosity that marked his great work of the ‘70s.
The Daily
Jul 10, 2026 — We’re celebrating the Harry Dean Stanton centennial, listening to Ross McElwee and Tsai Ming-liang, and revisiting the work of Bruce Conner.
The Daily
Jun 10, 2026 — Early reviews of his thirty-fifth feature may be all over the place, but appreciation of the man himself is universal.