Jun 16, 2026 BAM presents twelve films ranging from the early 1960s through the late 1980s.

Jun 16, 2026 The debut in 1998 of Lisa Cholodenko’s first feature film, High Art, was a triumph. The intense mastery of its form and the freshness of its narrative created waves of excitement—from the Sundance Film Festival, where it won the Waldo...

Jun 15, 2026 L’Alliance New York celebrates a mischievously fruitful collaboration with a six-film series.

Jun 11, 2026 An adaptation of Night and Day follows two new reimaginings of Mrs. Dalloway.

Jun 10, 2026 Early reviews of his thirty-fifth feature may be all over the place, but appreciation of the man himself is universal.

Jun 9, 2026 Over the course of four decades, the great Mauritanian French filmmaker Med Hondo created a stylistically diverse, politically trenchant body of work that frequently tapped into his own Pan-African roots and explored the existential and material stresses of Black people...

Jun 8, 2026 Asia Society presents a seven-film retrospective in New York from Thursday through Sunday.

Shifting POVs

The Daily

Jun 5, 2026 We’re wrapping the week with conversations with Lilly Wachowski, Shunji Iwai, and Tsui Hark as well as essays on Ozu and Ghatak.

Jun 5, 2026 Despite what is often assumed about the history of trans representation in cinema, it is not a simple story of marginalization and stigmatization. In their 2024 book Corpses, Fools, and Monsters: The History and Future of Transness in Cinema, critics...

Jun 2, 2026 Gorin will discuss films he’s selected as well as his own work and his collaborations with Jean-Luc Godard.

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