The Criterion Collection
Nov 28, 2018 — Made on a shoestring budget, Edgar G. Ulmer’s 1945 Detour is a landmark of film noir, a hardboiled thriller that represents the genre at its seediest and most fatalistic. But despite amassing critical acclaim and a significant cult following over the decades,...
Essays
Nov 27, 2018 — With The Magnificent Ambersons, Orson Welles created a model of period filmmaking, lightly deploying historical signifiers while focusing on the haunting power of his actors’ faces.
The Daily
Nov 5, 2018 — Alice Rohrwacher’s third feature, currently playing in Europe, heads to home screens at the end of the month.
Oct 29, 2018 — Supporting roles bring potent flavor to classic Hollywood’s darkest genre. In the first installment of a series, Imogen Sara Smith pays tribute to the queen of character actors: Thelma Ritter.
The Daily
Oct 29, 2018 — At eighty-six, the renowned director and screenwriter stars in Kenneth Lonergan’s The Waverly Gallery.
The Daily
Oct 2, 2018 — The past weighs heavily on the present in Long Day’s Journey into Night, Ash Is Purest White, and A Family Tour.
The Daily
Oct 1, 2018 — On Roberto Minervini’s What You Gonna Do When the World’s on Fire? and Frederick Wiseman’s Monrovia, Indiana.
The Daily
Oct 1, 2018 — Three documentaries at the NYFF explore routes to our current moment.
In Theaters
Sep 21, 2018 — The complete works of French cinema rebel Jean Vigo are coming to theaters in gorgeous new restorations.
Sep 19, 2018 — The writer and editor for Artforum, cofounder of October, and professor at NYU was ninety-six.