The Brazilwood Man

Oct 24, 2013 — In 2004, actors Peter Falk and Gena Rowlands sat down in Rowlands’s home to discuss their landmark collaboration on John Cassavetes’s A Woman Under the Influence, in a conversation for Criterion. In the seventeen-minute dialogue, Falk (who died in 2011)...

Oct 15, 2013 — Georges Franju’s masterpiece is the most chilling expression in cinema of our ancient preoccupation with the nature of identity.

Sep 25, 2013 — Roberto Rossellini’s tale of modern sainthood demonstrates the importance of opening oneself to the wider world.

Jul 25, 2013 — The look of the dazzlingly evocative The Ice Storm is in large part the work of production designer extraordinaire Mark Friedberg (Far from Heaven, The Life Aquatic with Steve Zissou). In an illustrated audio interview on release of Ang Lee’s...

Apr 26, 2013 — Among filmmaker Pierre Etaix’s many eclectic accomplishments is his appearance as one of the thieves in Robert Bresson’s Pickpocket. However, you probably won’t be able to spot him: all that’s left of his performance is one of his hands, surreptitiously filching a wallet. In...

Feb 20, 2013 — In this clip from a new interview on our release of On the Waterfront, the Oscar-winning filmmaker Martin Scorsese talks to critic and programmer Kent Jones about how much Elia Kazan’s masterpiece meant to him as a young moviegoer.

Feb 11, 2013 — The movies of the Belgian filmmaking duo Jean-Pierre and Luc Dardenne are at once studies in propulsive forward motion and moral tales that plumb the depths of their troubled characters with jittery concern. In works like La promesse, Rosetta, and...

Dec 13, 2012 — Repertory PicksThe Museum of Modern Art in New York is holding its first full retrospective of the films of Pier Paolo Pasolini in more than twenty years. Starting tonight and running through January 5, the series will include not only...

Nov 21, 2012 — In his films as well as his poems, novels, and short stories, Pier Paolo Pasolini evinced a love of vernacular speech, often choosing to write in the slangy argots of the working class and the dispossessed. He made his adaptation...

Nov 14, 2012 — Jean Luc Godard’s exuberant, multipronged attack on the bourgeoisie is both theater of the absurd and political horror.