Among filmmaker Pierre Etaix’s many eclectic accomplishments is his appearance as one of the thieves in Robert Bresson’s Pickpocket. However, you probably won’t be able to spot him: all that’s left of his performance is one of his hands, surreptitiously filching a wallet. In this exclusive interview clip, not available in Criterion’s new Pierre Etaix collection, Etaix vividly recounts how, so early in his career, he came to be a bit player in Bresson’s masterpiece. Among the many details we love: Bresson and Jacques Tati would stop for friendly chats, and Bresson enjoyed chewing gum and mint soda!
Is Fassbinder’s Working-Class TV Drama Effective as Political Art?
A public-television commission intended to raise class consciousness, Eight Hours Don’t Make a Day inspired heated debates about its political orientation.
In the Words of Tarkovsky
In this contemplative moment from a documentary about Andrei Tarkovsky, the elusive master explains how he tried to conjure an immersive vision of painter Andrei Rublev’s world.