The Way of the Househusband: The Cinema

Jul 15, 2014 — Ihave an unusually easy way of remembering when I first became fascinated by Robert Bresson’s films. Pickpocket (1959) was the first one I saw, at the old Orson Welles theater in Cambridge, Massachusetts, in my late teens; it was also...

Jul 8, 2014 — For our release of Howard Hawks’s Red River, we asked the legendary director and writer Peter Bogdanovich to share his thoughts on the film, which he ranks as one of his favorites. (He once called it “the best epic western...

Jun 19, 2014 — PerformancesTime has added some latter-day ironies to All That Heaven Allows, and not just the revelation that its star Rock Hudson was gay. There’s also the political career of Ronald Reagan, the ex-husband of Hudson’s costar, Jane Wyman—built on the...

Sep 13, 2013 — Edouard Molinaro’s 1978 La Cage aux Folles is not only an entertaining farce but also a landmark, for the way it opened many viewers’ eyes to both drag culture and same-sex relationships. To find out more about the film’s sexual...

Aug 20, 2013 — We answer some questions about our decision to begin releasing dual-format editions, including both DVD and Blu-ray discs in one package.

Apr 9, 2013 — This essay by novelist, playwright, and culture critic Gary Indiana originally appeared in the 1992 book Everything Is Permitted: The Making of “Naked Lunch.” Burroughs’s work tends to affect people like a Rorschach test. It separates cultural conservatives from avant-gardists,...

Mar 27, 2013 — You can’t talk about Robert Bresson for long before his use of sound comes up. His stripped-down masterpieces are memorable for the way they engage the ear as well as the eye. A Man Escaped, out this week on Blu-ray...

Feb 18, 2013 — Performances Hiroshima mon amour (1959) is a groundbreaking portrait of a world come undone. Even more memorably, thanks to the brilliant precision of Emmanuelle Riva’s performance, it’s a study of a woman unraveling. In this first leading role in an...

Jan 8, 2013 — 01   Because it’s the purest American road movie ever.  02   Because it’s like a drive-in movie directed by a French new wave director.  03   Because the only thing that can get between a boy and his car obsession is a...

Dec 4, 2012 — Misunderstood by Hollywood, embraced by critics, this fatalistic fantasy remains Terry Gilliam’s ultimate trip.