You can’t talk about Robert Bresson for long before his use of sound comes up. His stripped-down masterpieces are memorable for the way they engage the ear as well as the eye. A Man Escaped, out this week on Blu-ray and DVD, is an especially rich aural experience, as film scholars David Bordwell and Kristin Thompson explain in a new visual essay, which sets clips from the film to a reading (by actor Dan Stewart) of ”Functions of Film Sound,” a chapter from their book Film Art: An Introduction. Here are the first few minutes of the essay, which establish the environment of Bresson’s classic prison-escape film and discuss his fascinating use of nonsimultaneous audio commentary. The whole thing can be seen on the discs.
Donald Richie Uncovers the Traces of a Lost Japan
In collaboration with director Lucille Carra, the renowned writer brought his impressionistic travelogue The Inland Sea—an unusual choice for a film adaptation—to the big screen.
A Palette That Sizzles On-Screen
Filmmaker Darnell Martin and writer Nelson George discuss how vividly Do the Right Thing captures the heat of a Brooklyn summer and the diverse skin tones of its cast of color.
A Genius of French Cinema Delivers a Career-Defining Performance
Raimu is at his subtle best in one of the most moving scenes in The Baker’s Wife, a moment in which the actor channels the collective despair of France’s working class.