You can’t talk about Robert Bresson for long before his use of sound comes up. His stripped-down masterpieces are memorable for the way they engage the ear as well as the eye. A Man Escaped, out this week on Blu-ray and DVD, is an especially rich aural experience, as film scholars David Bordwell and Kristin Thompson explain in a new visual essay, which sets clips from the film to a reading (by actor Dan Stewart) of ”Functions of Film Sound,” a chapter from their book Film Art: An Introduction. Here are the first few minutes of the essay, which establish the environment of Bresson’s classic prison-escape film and discuss his fascinating use of nonsimultaneous audio commentary. The whole thing can be seen on the discs.
Liv Ullmann Recalls “Shattering” Moments on the Set of Shame
While working on Ingmar Bergman’s devastating antiwar film, the actress developed an emotionally intense chemistry with her costar Max von Sydow.
The Real-Life Rage That Fueled Lee Grant in In the Heat of the Night
In this excerpt from a new interview, the actor talks about how she channeled her political anger in the role of a distraught widow in Norman Jewison’s Oscar-winning crime drama.
Writing with the Body: Mikey and Nicky as an Actors’ Showcase
Elaine May populated her gangster-film masterpiece with acting heavyweights who could bring spontaneity to their roles. Critics Richard Brody and Carrie Rickey talk about her approach to performance in this clip.
How Hitchcock Pulled off a Shot for the Ages
Award-winning cinematographer John Bailey discusses the complications that Alfred Hitchcock faced trying to execute one of the most ambitious shots in his filmography.