The Criterion Collection
Dec 4, 2006 — A companion piece to Grey Gardens, this documentary stands on its own as a portrait of two women creatively passing the time as Rome burns.
Oct 23, 2006 — The New Zealand director’s debut feature is a bridge between her tentative, probing film school works and her subsequent female character studies.
Feb 13, 2006 — Jean Renoir’s classic film shows the natural world and the power of technology as wedded through the closely coordinated labor—effected through glances and sign language—of two men.
Aug 22, 2005 — This delicate, fascinating film is self-consciously, almost militantly, naive, and it remains something of an anomaly in Roberto Rossellini’s body of work.
Features
Sep 13, 2004 — This oblique strategy can be seen as a self-referential characterization of Slacker itself: it appears to have no structure, to be chaotic (a matter of random encounters), when, in fact, it has a very subtle, extremely well-crafted structure that makes...
Apr 23, 2001 — A majestic synthesis of disparate forms, Sergei Eisenstein’s final film seems to be as much a ballet or a moving painting as it is a movie.
On the Channel
Oct 15, 2026 — Channel Calendars This November, discover the link between pop style and turn-of-the-century cinema’s exuberant visual innovation with From MTV to Hollywood, a collection gathering work from directors who honed their imaginations making music videos before unleashing their talents on the...
The Daily
Oct 15, 2026 — As Once Upon a Time in Harlem begins its theatrical run, two series celebrate the filmmaker’s centennial.
The Daily
Oct 13, 2026 — The Melbourne Cinémathèque screens five films by the poetic realist best known for Children of Paradise.