Carrie

Mar 16, 2022 — The dark shadow of Putin’s war hangs over much of this year’s program.

Mar 15, 2022 — The story of queerness in American cinema isn’t complete without the unusual case of These Three (1936) and The Children’s Hour (1961). Both films are based on Lillian Hellman’s 1934 play The Children’s Hour, inspired by an incident in which...

Mar 4, 2022 — Freud and Jung make surprise appearances in this week’s roundup.

Mar 1, 2022 — A series in London presents films from around the world depicting societies in flux in the 1960s and ’70s.

Feb 28, 2022 — Rendez-Vous with French Cinema brings César winners and Arnaud Desplechin programs a series for FIAF.

Feb 22, 2022 — The fourth feature by the Hong Kong filmmaker Ann Hui devastatingly lays bare the conditions that spurred hundreds of thousands of Vietnamese to flee after the fall of Saigon.

Feb 10, 2022 — The heads of each section discuss the highlights and themes of their selections.

Feb 9, 2022 — Restorations and revivals of works by two unjustly overlooked filmmakers are now underway.

Feb 2, 2022 — Forever associated with Antonioni, the Italian actress cut loose in the 1970s.

Feb 1, 2022 — Douglas Sirk’s 1956 masterpiece is a visceral tragedy that lays bare the spiritual malaise of the ruling class.