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The Sin

Feb 19, 2016 For over half a century, Mike Nichols’s varied talents and singular voice made him a cultural icon. From his early days in sketch comedy with Elaine May to his career as a theater director and his prolific output as a...

Jan 5, 2016 The late Haskell Wexler wore many hats—he was an independent, impassioned documentarian; a commercial Hollywood cinematographer; a political and social activist; an institutional (even union) contrarian. He was also an exemplar of how to live.

Nov 11, 2015 Michael Haneke’s 2000 drama Code Unknown is a formalist masterwork—its narrative, about a group of characters whose lives become entwined by an incident on the streets of Paris, unfolding almost entirely within a series of single-take vignettes. Our DVD and...

Oct 9, 2015 Guy Maddin and his filmmaking partner Evan Johnson dropped by the Criterion kitchen to talk about their new film, The Forbidden Room.

Jun 1, 2015 A legionnaire turned fruit seller misses out on Germany’s economic miracle in Rainer Werner Fassbinder’s breakthrough melodrama.

Apr 22, 2015 Knowing Martin Scorsese was a fan of Jean Renoir’s India-set The River, we asked him to record an introduction when we first released it in 2004 (since then, he even included it in his Criterion Top 10, calling it “a...

Feb 26, 2015 The threat of death hangs over Watership Down, Martin Rosen’s wise and uncompromising animated adaptation of Richard Adams’s classic novel about rabbits on a survival mission.

Dec 28, 2014 In person, Sam was a blunt-nosed nonconformist, small of stature but forever leading with his Cuban cigar.

Dec 17, 2014 Trenchant in its portrayal of gender dynamics, sophisticated in its look at the actor’s life, and, of course, hilarious, Tootsie is Hollywood comedy at its finest.

Feb 28, 2014 The Great Beauty, which is up for best foreign-language film at Sunday’s Academy Awards, feels at times like a glorious throwback to a time when art-house cinema reigned. Feeling nostalgic for that era, when films by the great directors of world...

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