The Criterion Collection
Essays
Apr 29, 2025 — A black-and-white version of Julian Schnabel’s portrait of his fellow artist and friend Jean-Michel Basquiat accentuates the film’s melancholy mood while highlighting the deep commitment of Jeffrey Wright’s performance.
The Daily
Apr 25, 2025 — A busy week brings writing on the LA Rebellion, Jean-Luc Godard, and Elaine May, and a conversation with Pedro Almodóvar.
The Daily
Apr 11, 2025 — We’re paging through the new Millennium Film Journal and reading elsewhere about William S. Burroughs, Pauline Kael, and John Ford.
The Daily
Apr 10, 2025 — The competition alone will launch new films by Wes Anderson, Kelly Reichardt, Richard Linklater, Joachim Trier, and Ari Aster.
Essays
Mar 25, 2025 — Set in a grimy, unglamorous version of Los Angeles, Arthur Penn’s Watergate-era neonoir tells the story of an honorable private eye acutely conscious of living in an era that is the mere shadow of a nobler past.
The Daily
Mar 11, 2025 — New restorations of The Hour of Liberation Has Arrived (1974) and Leila and the Wolves (1984) arrive in the U.S.
Feb 19, 2025 — Gus Van Sant’s lyrical exploration of addiction and faith—adapted from an autobiographical novel by James Fogle—influenced cinematic drug depictions throughout the nineties and helped to initiate a wave of American independent filmmaking.
The Daily
Feb 14, 2025 — On our minds this week: Chantal Akerman, Ang Lee, and Akira Kurosawa.
The Daily
Feb 3, 2025 — The vibe in Park City was unsettling, but critics and juries discovered plenty of films to fall for.
Jan 14, 2025 — In his only directorial effort for the big screen, Richard Pryor takes the raw stuff of his life and alchemizes it as art, demonstrating the humor and vulnerability that made him a towering figure in American culture.