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After My Death

Apr 29, 2025 A black-and-white version of Julian Schnabel’s portrait of his fellow artist and friend Jean-Michel Basquiat accentuates the film’s melancholy mood while highlighting the deep commitment of Jeffrey Wright’s performance.

Diverging Futures

The Daily

Apr 25, 2025 A busy week brings writing on the LA Rebellion, Jean-Luc Godard, and Elaine May, and a conversation with Pedro Almodóvar.

Apr 11, 2025 We’re paging through the new Millennium Film Journal and reading elsewhere about William S. Burroughs, Pauline Kael, and John Ford.

Cannes 2025 Lineup

The Daily

Apr 10, 2025 The competition alone will launch new films by Wes Anderson, Kelly Reichardt, Richard Linklater, Joachim Trier, and Ari Aster.

Mar 25, 2025 Set in a grimy, unglamorous version of Los Angeles, Arthur Penn’s Watergate-era neonoir tells the story of an honorable private eye acutely conscious of living in an era that is the mere shadow of a nobler past.

Mar 11, 2025 New restorations of The Hour of Liberation Has Arrived (1974) and Leila and the Wolves (1984) arrive in the U.S.

Feb 19, 2025 Gus Van Sant’s lyrical exploration of addiction and faith—adapted from an autobiographical novel by James Fogle—influenced cinematic drug depictions throughout the nineties and helped to initiate a wave of American independent filmmaking.

Inside the Echo

The Daily

Feb 14, 2025 On our minds this week: Chantal Akerman, Ang Lee, and Akira Kurosawa.

Feb 3, 2025 The vibe in Park City was unsettling, but critics and juries discovered plenty of films to fall for.

Jan 14, 2025 In his only directorial effort for the big screen, Richard Pryor takes the raw stuff of his life and alchemizes it as art, demonstrating the humor and vulnerability that made him a towering figure in American culture.

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