The Criterion Collection
Oct 28, 2025 — The first of Arturo Ripstein’s films to receive wider international acclaim, this blood-soaked, surrealist vision of amour fou harks back to the director’s roots as an admirer and protégé of Luis Buñuel.
Essays
Oct 28, 2025 — An adaptation of a classic pulp novel by William Lindsay Gresham, Guillermo del Toro’s first foray into film noir is an intensely evocative exploration of how human impulses can give rise to monsters.
The Daily
Oct 23, 2025 — This scary season brings two new books on films by Nicolas Roeg and extensive documentation of a project Chaplin never realized.
The Daily
Oct 20, 2025 — The Mexican director’s oeuvre, spanning half a century, is undeniably dark but also deeply humane.
The Daily
Oct 17, 2025 — This week brings a profile of Jafar Panahi and a conversation between Lucile Hadžihalilović and Gaspar Noé.
Oct 16, 2025 — Beyond New York, upcoming events include a Jean Epstein retrospective in Vienna and extensive Frederick Wiseman series in Berkeley and London.
The Daily
Oct 16, 2025 — Vivacious and winning in comedies, she also brought a fierce power to her dramatic roles.
The Daily
Oct 10, 2025 — This week: Essays on Daniel Day-Lewis, Sophie Fillières, and Miguel Gomes, a talk with Wes Anderson, and an AI experiment.
The Daily
Oct 3, 2025 — Among them are the latest from Claire Denis, the return of Daniel Day-Lewis, and a dazzling restoration.
The Daily
Oct 2, 2025 — The festival presents new films from Gianfranco Rosi, Kahlil Joseph, Laura Poitras and Mark Obenhaus, and Lucrecia Martel.