To Have and Have Not

Dec 4, 2020 — A landmark week for the industry has us looking back to past periods of tumult and change.

Nov 30, 2020 — Anthology Film Archives presents its inaugural program, tributes from around the world, and its plans for the future.

Nov 25, 2020 — A talk with Claudia Weill, a new issue of Cineaste, and an appreciation of playback singer Asha Bhosle are among this week’s highlights.

Nov 9, 2020 — Critics find the story behind the writing of Citizen Kane steeped in all the glory and sleaze of Old Hollywood.

Oct 16, 2020 — This week we’re reading Jacques Rancière on Pedro Costa, J. Hoberman on Pietro Marcello and Jack London, and Sasha Frere-Jones on Jóhann Jóhannsson.

Jul 3, 2020 — One Scene By 2008, Olivier Assayas was perhaps best known as a director of fraught, emotionally intense, experimentally structured thrillers such as Irma Vep (1996), demonlover (2002), and Boarding Gate (2007), so the contemplative quiet of the feature he released...

Feb 26, 2020 — Before making history last year as the first black woman director to compete at Cannes, Mati Diop had been spending the previous ten years articulating her unique vision in a series of five acclaimed short films. The praise Diop has...

Jan 6, 2020 — 1917 is now repositioned as a late frontrunner in the Oscar race.

Oct 7, 2019 — Critics respond to the New York Film Festival’s selection of new moving image art.

Aug 12, 2019 — This month we’re looking at titles by or about Chantal Akerman, Orson Welles, Chris Marker, Kathleen Collins, and many more filmmakers and writers.