Summer School

Sep 19, 2005 — When I was a teenage cinephile, in the mid-1970s, Masculin féminin was enormously significant to me. It repre­sented France’s nouvelle vague of the sixties, with its youthful, anarchic spirit of freedom and spontaneity. It was in black and white and...

Jun 27, 2005 — Kô Nakahira’s taboo-busting melodrama heralded a reinvention of Japanese cinema.

Sep 13, 2004 — The following piece by Sony Pictures Classics cofounder and copresident Michael Barker, who picked up Slacker for Orion Classics in 1991, originally appeared in the program for the 2001 Austin Film Society event Slacker: A Ten-Year Reunion. What I’ve found...

Sep 23, 1993 — Two men, one woman and a boy. French director Bertrand Blier fashions out of this bizarre love quadrangle a film of seamless beauty, high farce and, finally, haunting majesty. To experience Get Out Your Handkerchiefs is to watch a master...

Jun 12, 1991 — I didn’t get very far with my first script collaborator, Kuba Goldberg. Then Jerzy Skolimowski appeared on the scene.

Jan 1, 2007 — I’ve started writing this several times, and each time I’ve gotten diverted. Originally, I wrote about our troops in Iraq and the fact that we had sent along DVDs for the holidays, but I had a hard time equating our...

Jul 3, 2020 — A new issue of Cinema Scope, a State of Cinema address from Olivier Assayas, and the Ultimate Summer Movie Showdown are among this week’s highlights.

Apr 10, 2020 — Songbook Edward Yang’s A Brighter Summer Day is the War and Peace of Taiwanese juvenile-delinquent movies. It is also part of a tradition of films that use the process of a character slowly learning a single song as a narrative-building...

Jul 13, 2026 — Jurors have honored films from Myanmar, Denmark, Slovakia, Japan, and Greece.

Jun 5, 2026 — We’re wrapping the week with conversations with Lilly Wachowski, Shunji Iwai, and Tsui Hark as well as essays on Ozu and Ghatak.