The Criterion Collection
Interviews
Apr 18, 2014 — The following interview, conducted by Stig Björkman, originally appeared in Björkman’s 1999 book Trier on von Trier.
Essays
Feb 28, 2014 — Other first films exude the sparkling joy of filmmaking that one feels in Breathless, but how many can boast its sure-handedness?
Feb 24, 2014 — A film of explosive passions, Abdellatif Kechiche’s coming-of-age triumph is about much more than just physical pleasure.
Dec 3, 2013 — This scathing drama about a toxic society established Elio Petri as an important director of popular political entertainment in Italy.
Essays
Oct 22, 2013 — The disc of Faces that you now hold is the most beautiful copy possible of a film that was meant to look lousy. Digital technology painstakingly reproduces John Cassavetes’s lighting, which allowed his actors to move about freely, and so...
Aug 27, 2013 — Ernst Lubitsch’s World War II–era high-wire act is a profound take on the absurdity cruelty of civilization and a perfect black comedy to boot.
Essays
Apr 23, 2013 — Who is Pierre Etaix and where has he been all your life? This is the story of a filmmaker who was vanished, banished, skipped over. It’s as if one of those invisible cubicles mimes are always getting themselves shut in...
Whether faithful adaptations or daring reimaginings, these are films that deserve to be appreciated alongside their printed progenitors.
Jan 15, 2013 — Despite the acclaim, Volker Schlöndorff always felt his adaptation of Günter Grass’s novel was incomplete. Thirty years later, he set to work on his director’s cut.
Sneak Peeks
Oct 16, 2012 — The Forgiveness of Blood is set in a place that will be unfamiliar to most viewers. American director Joshua Marston (Maria Full of Grace) traveled to an isolated, mountainous area in northern Albania to film this tale of a strange...