The Forgiveness of Blood is set in a place that will be unfamiliar to most viewers. American director Joshua Marston (Maria Full of Grace) traveled to an isolated, mountainous area in northern Albania to film this tale of a strange and real phenomenon: ancient tribal blood feuds that persist to this day, and the young people caught between that archaic reality and the modern world technology gives them access to. In this clip from an interview included in the Criterion release of The Forgiveness of Blood, producer Paul Mezey sets the scene for us, introducing a place where motorcycles and horse-drawn carriages use the same streets.
Why Swing Time Is the Greatest of All Dance Films
In this excerpt from an interview on our new edition of the Astaire-Rogers classic, dance critic Brian Seibert explains how beautifully and cleverly the film integrates dance into the structure of a romantic-comedy plot.
A Moody Meditation from the Set of Blue Velvet
In a rarely seen documentary about David Lynch’s 1986 masterpiece, the director and his star, Isabella Rossellini, give their candid impressions about the creative journey they’ve embarked on together.