Jun 30, 2016 — In Olivier Assayas’s 2014 film Clouds of Sils Maria, Juliette Binoche and Kristen Stewart play out a story centered on the complexities of female relationships, the making and undoing of boundaries between people, and our anxieties about the passage of...

Sep 29, 2003 — Fassbinder had long dreamed of a “German Hollywood film.” He sought not only success with the audience, but also professionalism. The auteur film in its purest form is an attempt to abolish the division of labor: the filmmaker represents in...

Carmen Maria Machado is the author of the best-selling memoir In the Dream House and the short-story collection Her Body and Other Parties, which was a finalist for a National Book Award. Her essays, fiction, poetry, and criticism have appeared...

Sep 28, 2021 — Melvin Van Peebles: Essential Films Come on now, honey sugarYou know your baby loveYou know just the other dayI was gonna take you to go see a movieSweet Sweetback . . . Stevie Wonder, “Sweet Little Girl,” 1972 We went...

May 28, 2024 — In Karyn Kusama’s award-winning feature debut, Michelle Rodriguez delivers a smoldering performance as a young woman who finds in boxing a container for her grief, loss, and rage.

Apr 19, 2023 — Paul Thomas Anderson, Maria Schneider, and fictional figures—Blanche DuBois and Juliet Capulet—figure in this month’s roundup.

Oct 16, 2012 — After breaking out with Maria Full of Grace, filmmaker Joshua Marston visited a strange new land with persistent and deadly traditions.

Jan 28, 1991 — The following review, one of the most renowned in the history of film criticism, appeared in The New Yorker magazine on October 28, 1972. It is reprinted with the permission of the author, Pauline Kael. Bernardo Bertolucci’s Last Tango in...

The actor and director suggests a delicious double feature, reminisces about the thrill of seeing Trainspotting for the first time, and finds inspiration in films like The Marriage of Maria Braun, Il posto, and Persona.

The director of Maria talks about why Berlin Alexanderplatz is a masterclass on character and capturing a city, praises Maria Callas’s performance in Pier Paolo Pasolini’s Medea, and shares how Boyhood is proof that cinema can evoke the feeling of...