Clip

Apr 9, 2014 — As Emily Watson told us in an interview for our release of Breaking the Waves, which comes out next week, she had “hardly been in front of a camera ever before” when she shot Lars von Trier’s devastasting and explicit...

Feb 26, 2014 — King of the Hill, about a struggling but resourceful preteen (Jesse Bradford) growing up amid the fear and poverty of the Great Depression, is director Steven Soderbergh’s only film to focus on the life of a child. In this clip...

Feb 19, 2014 — Alfred Hitchcock’s second Hollywood film, Foreign Correspondent, is a killer caper—but due to what was going on in the world during its production, it’s much more than that. Following an American journalist investigating an escalating war in Europe, the film...

Feb 13, 2014 — Hiroshi Teshigahara may have never quite become a household name, but this uniquely talented Japanese filmmaker, who specialized in existential dramas peppered with surreal avant-garde touches, received a large dose of international acclaim for his 1964 Woman in the Dunes,...

Feb 6, 2014 — Who better to explain what an auteur of the cinema is than one of the originators of auteur theory? In his famous 1954 essay “A Certain Tendency in French Cinema,” published in Cahiers du cinéma five years before the release...

Jan 28, 2014 — Among the delights of Aki Kaurismäki’s La vie de bohème are the guest appearances by François Truffaut alter ego Jean-Pierre Léaud and the two-fisted American auteur Samuel Fuller. The former plays an eccentric collector who takes an interest in the...

Jan 28, 2014 — Terence Davies beckons the viewer into a private world of moods and sensations with this exquisite childhood reverie.

Jan 10, 2014 — It’s impossible to watch the unforgettable climax of Akira Kurosawa’s Throne of Blood and not wonder, How’d they do that? Spoilers ahead: In the scene, Toshiro Mifune’s ruthless warrior, modeled on Shakespeare’s Macbeth, finally gets his comeuppance in the form...

Dec 6, 2013 — Ennio Morricone is known the world over for his instantly identifiable scores in such films as The Good, the Bad, and the Ugly; Once upon a Time in the West; and The Mission. He has composed hundreds of others, however,...

Dec 5, 2013 — Keith Carradine was even more essential to Robert Altman’s Nashville than you may realize.