The Criterion Collection
Sep 28, 2015 — Rarely has schizophrenia been closer to the surface of American cinema than in the transitional period of 1968–71. Hollywood had just abandoned its censorship code after nearly thirty-five years, and the behemoth studios were heaving and rattling into oblivion or...
Sneak Peeks
May 20, 2015 — We were thrilled to sit down with the iconic Bette Midler about her dazzling breakthrough performance as a Janis Joplin–esque rock star at the end of her rope in The Rose, a wild, energetic turn that was the result of...
Short Takes
Feb 20, 2015 — In time for this year’s Academy Awards ceremony, we wanted to celebrate all the incredible women who have been nominated for best actress Oscars for their roles in Criterion titles. They range from the 1930s to the 2010s, and include...
Essays
Dec 17, 2014 — Trenchant in its portrayal of gender dynamics, sophisticated in its look at the actor’s life, and, of course, hilarious, Tootsie is Hollywood comedy at its finest.
Interviews
Oct 16, 2014 — This past August, on the occasion of Volker Schlöndorff’s being selected for a Silver Medallion award by the Telluride Film Festival, Criterion’s Peter Becker talked with the German filmmaker about his long career. A short version of the conversation was...
In Theaters
Oct 16, 2014 — Repertory PicksThe Loft Cinema in Tucson, Arizona, is kicking off its annual Loft Film Fest tonight with a very special event. The Pulitzer Prize–winning novelist and screenwriter Larry McMurtry will appear in person for a screening of The Last Picture...
Sneak Peeks
Oct 8, 2014 — Eraserhead is a dark movie—literally. In this excerpt from a new interview on our special edition release of the film, director of photography Frederick Elmes discusses David Lynch’s approach to lighting his high-contrast black-and-white breakthrough, which you sometimes have to...
Aug 18, 2014 — The filmmaker and critic discuss the pleasures and provocations of the Spanish auteur’s work.
Essays
Jul 15, 2014 — Among the brainiest of all horror movies, David Cronenberg’s film goes beyond shock to investigate a disturbing world of psychic mutation.
May 12, 2014 — The Italian cinema expert describes the immense popularity of Dino Risi’s film in its home country, and the way it deepened the commedia all’italiana genre.