Eraserhead is a dark movie—literally. In this excerpt from a new interview on our special edition release of the film, director of photography Frederick Elmes discusses David Lynch’s approach to lighting his high-contrast black-and-white breakthrough, which you sometimes have to squint at to see past the shadows.
How Hitchcock Pulled off a Shot for the Ages
Award-winning cinematographer John Bailey discusses the complications that Alfred Hitchcock faced trying to execute one of the most ambitious shots in his filmography.
A World-Cinema Master Gives the World One Last Look
After his father’s death in 2016, Ahmad Kiarostami helped complete the conceptually daring meditation on image-making the great Iranian director had been working on for the last five years of his life.
Euzhan Palcy Remembers Brando’s Nerves on the Set of A Dry White Season
Marlon Brando hadn’t been in a movie in almost a decade when he took on his Oscar-nominated role in A Dry White Season. The film’s director talks about the pleasures of collaborating with the legendary actor.