Twentieth Century

Sarita Cannon is an associate professor of English at San Francisco State University, where she teaches twentieth-century American literature. Her writing has appeared in African Voices, Journal of Popular Film and Culture, the Black Scholar, Ethnic Studies Review, and MELUS:...

Jul 22, 2026 — The filmmaker looks back on the experiences that have shaped his creative life, including his time in art school, his work as a graphic designer and music-video director, and his early interest in documentary cinema.

Oct 29, 2024 — From Kaneto Shindo to Kiyoshi Kurosawa, the masters of the genre over the past half-century have tapped into a deep well of cultural anxiety, exploring everything from the sins of their nation’s feudal past to the dangers of new technologies.

Jan 10, 2024 — The twentieth edition of MoMA’s festival of film preservation features classics and fresh discoveries from around the world.

Sep 19, 2023 — Franz Kafka’s The Trial, the unfinished tale of a man living under arrest and prosecution for an unspecified offense, is perhaps the iconic author’s most paradigmatic text. Following its posthumous publication in 1925, and its translation into English by Willa...

Jul 22, 2022 — Entwined with the evolution of American culture, boxing movies have used the microcosm of the ring to tackle issues of race, class, gender, and labor.

Dec 1, 2020 — The brochure for the 1961 Lincoln Continental line makes the six-seater luxury sedans look almost dainty. They come in pretty pastels: a cream called Sultana White, a fizzy yellow known as Sunburst, an ice-cream-parlor blue-green dubbed Turquoise Mist. A gloved...

Jan 11, 2019 — A big list from the American Society of Cinematographers, a series celebrating a slew of twentieth anniversaries, and two great series in New York.

Dec 5, 2017 — Our biggest box set ever has arrived! Explore a century of iconic moments in modern sports with our monumental collection of fifty-three Olympic films, now available on Blu-ray and DVD.

Aug 30, 2016 — Set in nineteenth-century Macao, Orson Welles’s adaptation of a classic tale by Isak Dinesen is a hypnotic meditation on the pitfalls of storytelling.